BiBLiogrAPhy
Adorno, Theodor. Minima Moralia: Reflections from Damaged Life. New York: Verso,
1978.
———. Prisms: Cultural Criticism and Society. Translated by Samuel Weber and
Shierry Weber. c.1967. Cambridge: MIT Press, 1981.
Allara, Pamela. Pictures of People: Alice Neel’s American Portrait Gallery. Hanover, N.H.:
University Press of New England for Brandeis University Press, 1998.
Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. 1963.
New
York: Penguin, 1994.
Armstrong, Richard. Jack Tworkov: Paintings, 1928–1982.
Philadelphia: Pennsylvania
Academy of the Fine Arts, 1987.
Avgikos, Jan. “Luc Tuymans, David Zwirner Gallery,” Reviews. Artforum, January
1997, 84–85.
Barrett, Liz, Catherine Hollander, and Andrea Richards. “Schism-ism: Thoughts on
Intergenerational Feminisms.” Documents, no. 16 (fall 1999): 38–47.
Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard
Howard. New York: Farrar, Straus, and Giroux, 1981.
———. Part 1 of Writing Degree Zero. In A
Barthes Reader, edited by Susan Sontag,
31–61. New York: Hill and Wang, 1982.
Baudelaire, Charles. “The Painter of Modern Life.” In The Painter of Modern Life and
Other Essays, translated and edited by Jonathan Mayne, 1–40. New York: Da
Capo, 1986.
Baudrillard, Jean. The Conspiracy of Art: Manifestos, Interviews, Essays. Edited by Syl-
vère Lotringer, translated by Ames Hodges. New York: Semiotext(e), 2005.
———. “The Precession of Simulacra.” In Art After Modernism: Rethinking Represen-
tation, edited
by Brian Wallis, 253–81. New York: New Museum of Contemporary
Art; Boston: David R. Godine, 1984.
———. Simulations. Translated by Paul Foss, Paul Patton, and Philip Beitchman.
New York: Semiotext(e), 1983.
Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin
McLaughlin. Cambridge: Belknap, 1999.
Boogs, Jean Sutherland. Degas.
New York: Metropolitan Museum of Art, 1988.
Brennan, Marcia. Modernism’s Masculine Subjects: Matisse, the New York School, and
Post-Painterly Abstraction. Cambridge: MIT Press, 2004.
Broude, Norma, and Mary D. Garrard, eds. The Power of Feminist Art. New York:
Harry N. Abrams, 1994.
———. Reclaiming Female Agency: Feminist Art History after Postmodernism. Berke-
ley: University of California Press, 2005.
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