where) in this collection as well as selected texts that demonstrate or authorize the
inclusion of autobiography in scholarship across the disciplines. For parallel sorts of
literary criticism, see our earlier volume (coedited with Frances Murphy Zauhar),
The Intimate Critique: Autobiographical Literary Criticism (Duke, 1993), and Diane P.
Freedman, An Alchemy of Genres: Cross-Genre Writing by American Feminist Poet-Critics
(University Press of Virginia,1992).
Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Spin-
sters/Aunt Lute,1987.
Appiah,KwameAnthony. In My Father’s House: Africa in the Philosophyof Culture.New
York: Oxford University Press,1992.
Aptheker, Bettina. Tapestries of Life: Women’s Work, Women’s Consciousness, and the
Meaning of Daily Experience. Amherst: Universityof Massachusetts Press,1989.
Atkins, G. Douglas. Estranging the Familiar: Towards a Revitalized Critical Writing.
Athens: Universityof Georgia Press,1992.
Atwan, Robert, ed. Best American Essays. 3rd college ed. Boston: Houghton Miff-
lin, 2001.
Awkward, Michael. Negotiating Difference: Race, Gender, and the Politics of Positionality.
Chicago: Universityof Chicago Press,1995.
Bammer,Angelika,etal.Forum. pmla (October1996):1146–169.[Twenty-sixcom-
two sections, ‘‘The Inevitability of the Personal’’ and ‘‘Problems with Personal
Criticism.’’ Includes Angelika Bammer, Joseph A. Boone, Terry Caesar, Mary
Ann Caws, Jane Gallop, Norman Holland, Joonu Huh, Nellie Y. McKay, David
Simpson, DeborahTannen, ClaudiaTate, GeorgeT.Wright et al.]
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