ACKNOWLEDGMENT OF COPYRIGHTS
John Crowe Ransom, ‘‘Poetry: A Note on Ontology,’’ from The World’s Body. Reprinted by per-
mission of Simon and Schuster, Inc.
Cleanth Brooks, ‘‘Keats’s Sylvan Historian: History Without Footnotes,’’ from The Well Wrought
Urn: Studies in the Structure of Poetry. Copyright ©1947 by Cleanth Brooks, renewed copy-
right ©1975 by Cleanth Brooks. Reprinted by permission of Harcourt, Inc.
Kenneth Burke, ‘‘Symbolic Action in a Poem by Keats,’’ from A Grammar of Motives (Berke-
ley: University of California Press, 1969). Copyright ©1969 The Regents of the University of
California. Reprinted by permission of University of California Press.
Krieger, Murray. ‘‘The Ekphrastic Principle and the Still Movement of Poetry; or, Laokoön
Revisited,’’ from The Play and the Place of Criticism, pp. 105–128. Copyright ©1967 The
Johns Hopkins University Press. Reprinted with permission of The Johns Hopkins Univer-
R. P. Blackmur, ‘‘Examples of Wallace Stevens,’’ from Language as Gesture: Essays in Poetry.
Copyright ©1952 by Richard P. Blackmur and renewed 1980 by Elizabeth Blackmur. Reprinted
by permission of Harcourt, Inc.
Helen Vendler, ‘‘Stevens and Keats’s ‘To Autumn.’ ’’ Copyright ©1980 by Helen Vendler. Re-
printed by permission.
Fish, Stanley. ‘‘ ‘Lycidas’: A Poem Finally Anonymous.’’ Glyph 8, Textual Studies, edited by Wal-
ter Benn Michaels, pp. 1–18. Copyright ©1981 The Johns Hopkins University Press. Reprinted
by permission of The Johns Hopkins University Press.
Paul de Man, ‘‘Literary History and Literary Modernity,’’ from Blindness and Insight: Essays in
the Rhetoric of Contemporary Criticism. Copyright ©1971 by Paul de Man. Used by permis-
sion of Oxford University Press, Inc.
Roland Barthes, ‘‘The Romans in Films,’’ ‘‘Novels and Children,’’ ‘‘Steak and Chips,’’ and ‘‘The
Great Family of Man,’’ from Mythologies, translated by Annette Lavers.Translation copyright
©1972 by Jonathan Cape Ltd. Reprinted by permission of Hill and Wang, a division of Farrar,
Straus and Giroux, LLC.