index
Page numbers in italics indicate figures and illustrations.
aboio, 61
Abreu, Fernanda (Sampaio de Lacerda):
overview of, xi, 23, 130–32, 133, 237n3;
agency and, 145–46; agogô and, 154;
“Aquarela brasileira” (Silas de Oliveira)
and, 154; on asphalt condominium
neighborhoods, 151, 154, 156, 160–61;
assemblage concept and, 132, 146–47;
awards for, 149; batucada and, 148, 150,
151, 158; beatboxes and, 164; becoming-
woman and, 147, 238n10; “Bidolibido”
(Fausto) and, 162; black dance music
and, 137, 149, 150–51, 153, 159, 164;
black identity and, 140, 151–53; Blitz
and, xi, xv, 23, 132–35, 164; blues/bluesy
and, 151; the body and, 141, 142–44, 145,
149, 153, 154–56, 159–62; bossa nova
and, 156; “Brasil é o país do suingue”
(Abreu, Hermano Vianna, and Laufer)
and, 154–55; Brock and, xi, xv, 23, 132–
35, 164, 237n2; on bunda and bundali-
zação, 155–56, 164–65; caixa and, 154,
157; cannibalism metaphor and, 149,
152–53, 160–61, 165–66, 210; Carioca
fashion and, 140–41, 160, 161; carni-
val and, 155, 158; cavaquinho and, 147,
149, 154; consumerism and, 162–63;
cuícas and, 148, 151, 154, 159, 162; Da
lata and, 150–53; disco and, xi, xiii, 132,
147; dub and, 154, 160; “É hoje” and,
156–58, 238n11; “Ela é carioca” (Vini-
cius de Moraes and Tom Jobim) and,
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