Index
Abakuá, secret society, 35
Acapulco Tropical, 108
Adicción, La, 98
Adrián and the Black Dice, 196
Aéro, 223
Afro- Colombia, 30–31, 34, 45, 50–51,
55, 79, 118n4, 124–25, 136n6; Afro-
Colombian music and cumbia, 30, 50,
89; and dance styles, 46n6, 63, 84n11
Afro- Cuban, 37, 146
Age, 12–13, 15–17, 80, 151, 224n2; and
cumbia, 97; and gender, 182, 196, 201,
209–10; and music, 50, 66, 76, 84n14,
93, 99; and poverty, 197–98; as an un-
marked identity, 17; young people as
immigrants, 79–80, 86n23, 93, 121–
22, 129, 133, 257
Agustín, El, 138
Aicardi, Rodolfo, 48n27
Alcides, 196
Alejandro, Miguel “Conejito,” 196
Amar Azul, 25, 217, 220
Amazon: and cumbia, 16; environment
of, 169–70, 186n2, 186n3; indigenous-
ness in, 170–71; and Jesuit mission-
aries, 170; musical styles of, 23, 148,
161–62, 167, 179–82; pandilla’s effect
on, 172–79; perception in other na-
tions/regions, 180; performance of
Amazonian identity, 23, 169, 177
Amazonian Basin, 12
Amazon River, 180
Anal sex, 201, 204–5
Anderson, Marian, 5
Andes, 10–11, 16, 22, 140–44, 170, 179,
253
Angulo, Moisés, 264
Araújo, Consuelo, 42
Arawak Indians, 35
Argaín, Lucho, 41
Argentina, 4–12, 18, 24–25, 39, 41, 45,
98, 100, 136, 155, 162, 164, 188, 191,
193–99, 201, 204, 210, 216–18, 222,
224n2, 226, 228–29, 232, 236, 241,
245–46, 261; Argentine villera, 12, 26
Arhuacos, 251
Armani, Giorgio, 164
Arnau, Lucas, 264–65
Arrieta, Freddy, 85
Arroyo, Joe, 43
Articulation, 13, 15–17, 78, 100, 115, 211,
239
Asia (nightclub), 161, 163, 171
Atlixco, 121, 130
Atómicos de Monterrey, Los, 92
Audiences of Cumbia, 21
Ayala, Ramón, 92, 103
Bachata, 128, 189
Bailanta, 8, 10, 195, 199, 202, 215, 217,
225n3, 261
Baile de los palos, 47
Bailes cantados, 30, 47n7
Bajo Palabra, 198
Balada, 111, 155
Ballet Nacional de Sonia Osorio, 262
Bambuco, 26, 253; in Colombia, 48n29,
249, 262; and cumbia, 38–39, 253,
265; and socioeconomic class, 16
Banco, El, 30–31, 34, 41, 250
bandas de hojita, 38
Barbès Records, 139
Bareto, 139
Previous Page Next Page