bibliogrAPhy
Allen, Joe. “Backspinning Signifying.” to.the.quick 2 (1999). Available at http://
to- the- quick.binghamton.edu/issue%202/sampling.html.
Alvarez, Maribel. There’s Nothing Informal about It. Cultural Initiatives Silicon Val-
ley, 2005. Available at http://www.ci- sv.org/pdf/MAlvarez_PA_study.pdf.
Antin, David. “Modernism and Postmodernism: Approaching the Present in
American Poetry.” boundary 2 1 (1972): 98–133.
Arnett, William, and Paul Arnett, eds. Gee’s Bend: The Women and Their Quilts.
Atlanta: Tinwood Books, 2002.
Badiou, Alain. Being and Event. Trans. Oliver Feltham. London: Continuum, 2005.
———. Metapolitics. Trans. Jason Barker. London: Verso, 2006.
———. The Century. Trans. Alberto Toscano. Cambridge: Polity, 2007.
Bakhtin, Mikhail. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington:
Indiana University Press, 1984.
Ballard, J. G. “Which Way to Inner Space?” New Worlds 118 (May 1962): 2–3, 116–
18.
———. “Myth- Maker of the 20th Century.” New Worlds 142 (May–June 1964):
121–27.
———. “The Coming of the Unconscious.” New Worlds 164 (July 1966): 141–46.
———. “Salvador Dali: The Innocent as Paranoid.” New Worlds 187 (February
1969): 25–31.
———. The Atrocity Exhibition. London: Triad/Panther, 1979.
Banash, David. “From Advertising to the Avant- Garde: Rethinking the Invention
of Collage.” Postmodern Culture 14:2 (2004).
Bartók, Béla. “Magyar népzene és új magyar zene [Hungarian folk music and
new Hungarian music].” Bartók válogatott zenei írásai. Budapest: Magyar
Kórus, 1948a. (Available in Eng lish in: Bartók, Béla. Essays. Ed. Benjamin
Suchof. Lincoln: University of Nebraska Press, 1992.)
———. “A parasztzene hatása az újabb magyar műzenére [The influence of
peasant music on later Hungarian art music].” Bartók válogatott zenei írásai.
Budapest: Magyar Kórus, 1948b. (Available in Eng lish in: Bartók, Béla.
Essays. Ed. Benjamin Suchof. Lincoln: University of Nebraska Press, 1992.)
Previous Page Next Page