BiBliograPhy
Abel, Richard. The Ciné Goes to Town: French Cinema, 1896–1914. Berkeley: University
of California Press, 1994.
———. “Éclair: The Other French Film Company.” Griffithiana 44–45 (May–
September 1992): 4–24.
———. The Red Rooster Scare: Making Cinema American, 1900–1910. Berkeley:
University of California Press, 1999.
Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema. Bloomington:
Indiana University Press, 2001.
Allen, Robert. “Manhattan Myopia; or, Oh! Iowa!” Cinema Journal 35, no. 3 (Spring
1996): 75–103.
———. “Motion Picture Exhibition in Manhattan 1906–1912: Beyond the Nickel-
odeon.” Film before Griffith, ed. John L. Fell, 162–75. Berkeley: University of Cali-
fornia Press, 1983.
———. Vaudeville and Film, 1895–1915: A Study in Media Interaction. New York:
Arno, 1980.
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. New York:
McGraw- Hill, 1985.
Alloula, Malek. The Colonial Harem, trans. Myrna Godzich and Wlad Godzich. Min-
neapolis: University of Minnesota Press, 1986.
Altenloh, Emilie. On the Sociology of the Cinema: The Cinema Business and the Social
Strata of Its Audience (1914), trans. Lance W. Garmer. German Essays on Film,
ed. Richard W. McCormick and Alison Guenther- Pal, 29–47. New York: Con-
tinuum, 2004.
Altman, Rick. Film/Genre. London: British Film Institute, 1999.
———. “From Lecturer’s Prop to Industrial Product: The Early History of Travel
Films.” Virtual Voyages: Cinema and Travel, ed. Jeffrey Ruoff, 61–76. Durham:
Duke University Press, 2006.
———. Silent Film Sound. New York: Columbia University Press, 2004.
Alvarez, Max. “The Origins of the Film Exchange.” Film History 17, no. 4 (2005):
431–65.
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