Notes
Acknowledgments
1 Amelia Edwards, A Thousand Miles up the Nile (Philadelphia: HenryT. Co
1877), 2.
Preface: ‘‘An Inspired Frenzy or Madness’’
1 Emil Kraepelin, Lectures on Clinical Psychiatry, edited by Thomas Johns
(London: Baillière, 1904), Lecture 3, ‘‘Dementia Praecox (Insanity of Ad
cence),’’ 21–24.
2 See John T. Irwin, American Hieroglyphics: The Symbol of the Egyptian H
glyphics in the American Renaissance (Baltimore: Johns Hopkins University P
[1980] 1983), 195–205.
3 For examples of these gaps, see, in addition to Irwin, the essays colle
in Nancy Thomas et al., The American Discovery of Ancient Egypt (Los Angeles:
Angeles County Museum of Art, 1995).
4 See Dana D. Nelson, National Manhood: Capitalist Citizenship and the Ima
Fraternity of White Men (Durham:DukeUniversityPress,1998);MaliniJoharSch
ler, U.S. Orientalisms: Race, Nation, and Gender in Literature, 1790–1890 (Ann Ar
University of Michigan Press, 1998); Theophus H. Smith, Conjuring Culture:
cal Formations of Black America (New York: Oxford University Press, 1994); Te
Goddu, Gothic America: Narrative, History, and Nation (New York: Columbia Un
sity Press, 1997); Wilson Jeremiah Moses, Afrotopia: The Roots of African Ame
Popular History (Cambridge: Cambridge University Press, 1998); Shawn Mic
2004.8.27
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