Index
AIDS,
and Latina
I
OS,
29, 256, 264
Alla en e/ rancho grande (Over there in
the big ranch), 322
Ala, Ala Brasil!, 321
Ala, Ala Carnival!, 321
Anderson, Benedict, 157,310
Aparicio, Frances, 230
Arau, Sergio, 299, 300-1
Arnaz, Desi, 240, 249-51, 317, 319
Assun~ao,Fernando,164
Audiotopias, 29, 288-90
Aventurera, 322
Bachata, 292-93
Ballad of Gregorio Cortez, 333
Bamba,
La,
333
Barroco,333
Batiz,Adolio,I44,146,149-54
Bejarano, Manuel, 161
Bella del Alhambra,
La,
333
Bella, la salvaje (Bella, the savage), 324
Benjamin, Walter, 153, 190
Bhabha, Homi, 311-12
Bialet-Masse, Juan, 147-48
Black Atlantic, 288
Blackness, 29,43,46
Blades, Ruben, 197
Blues singers, female, 230-31
Bodily consciousness, 14
Bodily discourse, 33, 39, 50
Bodily writing, 9,
11
Body lies, 3, 4, 9, 10, 11, 12, 13, 14, 15,
17,18,19,20,21,23,24,25,29,3°,33,
35,37,38,39,4°,43,45,46,47,65,66,
71,79,80,85,86,9°; as vernacular
expression, 312-13
Bolero, 9, 30, 246-48
Bomba,24,181-83,229
Borderland, 288
Bordieu, Pierre, 36
Borges,Jorge Luis, 158
Borrows, Frank, 12
Bossa nova, 319
BreakafDaum, 310-13, 340
Broadway, 30, 35, 51
Buck-Morss, Susan, 153-54
Cabrera, Lydia, 11
Cabrera Infante, Guillermo, 242, 243
Cafe Tacuba, 301-5
Calabacitastiermas (Tender pumpkins),
325
Call Me Mister, 318
Camacho, Hector, 231-32
Capetillo,Luisa, 223,228-29
Capitalism,
11,
13, 27
Capoeira, 21, 30, 54, 65-92
Carmen, la que cantaba 16 aiias (Carmen,
who was sixteen), 332
Carmencita, Spanish Dancer, 314
Carnavalatlantida, 324
Carriego, Evaristo, 167
Castillo, Catulo, 168
Cha cha cha, 9, 310
Chancada and carnival films, 321
Chicano identity, 26
Choreo-graphy: and cultural memory,
277; as history, 10, 18, 21
Cinema and Latin Music: Classic Latin
American, 319-25; Hollywood, 314-
19; in Argentina, 319-21; in Brazil,
321; in Cuba, 323-24; in Mexico,
321; in transnational coproduc-
tions, 333-34; in U.S. Latino films,
333; New Latin American Cinema,
326-32
Citizenship, 22
Clave,229
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