Notes
Preface
1
Marc Manganaro,
Modernist Anthropology: From Fieldwork to Text
(Prince-
ton, N.J.: Princeton University Press, 1990).
2
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction,"
in
Illuminations,
trans. Harry Zohn (New York: Schocken Books, 1969), 217-
52.
3
See Timothy Corrigan,
A Cinema without Walls: Movies and Culture after
Vietnam
(New Brunswick, N.J.: Rutgers University Press, 1991), for a discus-
sion of the effects of video on mainstream cinema.
4
Michael Renovand Erika Suderburg, "Resolving Video," in
Resolutions: Con-
temporary Video Practices,
ed. Michael Renov and Erika Suderburg (Minne-
apolis: University of Minnesota Press, 1996), xv.
5
The text that comes closest to this project is Michael Renov, ed.,
Theorizing
Documentary
(New York: Routledge, 1993).
6
The term "intercultural" is Laura Marks's, in "The Skin of Film: Experi-
mental Cinema and the Intercultural Experience" (Ph.D. diss., University of
Rochester, 1995).
1 Another Look
1
George Marcus, "The Modernist Sensibility in Recent Ethnographic Writ-
ing and the Cinematic Metaphor of Montage:' in
Visualizing Theory: Selected
Essays from
v.A.R., 1990-1994, ed. Lucien Taylor (New York: Routledge, 1994),
48.
2
Trinh T. Minh-ha,
When the Moon Waxes Red: Representation, Gender, and
Cultural Politics
(New York: Routledge, 1991); Trinh Minh-ha,
Framer Framed
(New York: Routledge, 1992).
3
Trinh,
When the Moon Waxes Red, 35.
4
For a critique of Trinh Minh-ha's film practice see Jane Desmond, "Ethnog-
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