BIBLIOGRAPHY
Adusei- Poku, Nana. “The Multiplicity of Multiplicities: Post- Black Art and Its Intri-
cacies.” Dark Matter, 29 November 2012. http: // www .darkmatter101 .org / site / 2012
/ 11 / 29 / the- multiplicity- of- multiplicities—post- black- art- and- its- intricacies / .
Ahmed, Sara. The Cultural Politics of Emotion. New York: Routledge, 2004.
Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblind-
ness. New York: New Press, 2010.
Alexie, Sherman. “The Unauthorized Autobiography of Me.” In One Stick Song, 13–25.
Brooklyn: Hanging Loose, 2000.
Altman, Rick. “Reusable Packaging: Generic Products and the Recycling Process.”
In Refiguring American Film Genres: Theory and History, ed. Nick Browne, 1–41.
Berkeley: University of California Press, 1998.
Anderson, Jon. Understanding Cultural Geography: Places and Traces. New York:
Routledge, 2010.
Appiah, K. Anthony. “No Bad Nigger: Blacks as the Ethical Principle in Movies.” In
Media Spectacles, ed. Marjorie Garber, Jann Matlock, and Rebecca L. Walkowitz,
77–90. New York: Routledge, 1993.
Ashe, Bertram D. “Theorizing the Post- Soul Aesthetic: An Introduction.” African
American Review 41.4 (2007): 609–23.
Baker, Houston. Blues, Ideology, and Afro- American Literature: A Vernacular Theory.
Chicago: University of Chicago Press, 1984.
———. Modernism and the Harlem Renaissance. Chicago: University of Chicago
Press, 1990.
Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans.
Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.
———. “Discourse Typology in Prose.” In Readings in Russian Poetics: Formalist and
Structuralist Views, ed. Ladislav Matejka and Krystyna Pomorska, 176–96. Cam-
bridge, MA: mit Press, 1971.
———. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington: Indiana Uni-
versity Press, 1984.
Previous Page Next Page