B I B L I O G R A P H Y
Abbas, Ackbar. “Cosmopolitan De- scriptions: Shanghai and Hong Kong.” Public
Culture 12, no. 3 (2000): 769–86.
—. Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University
of Minnesota Press, 1997.
Amporn Jirattikorn. “Suriyothai: Hybridizing Thai National Identity through Film.”
Inter- Asia Cultural Studies 4, no. 2 (2003): 296–308.
Anake Nawigamune. Poed Tamnan: Mae Nak Phra Khanong— Mae Nak Classical
Ghost of Siam. Bangkok: Nora, 2000.
Anchalee Chaiworaporn. “A Perceiver of Sense— Apichatpong Weerasethakul.”
Thai Cinema. Accessed May 30, 2015. http:// www . thaicinema . org / Essays
_ 07apichatpong . php.
Anderson, Ben. “Sat Pralat Arai Wa?” (What Goddamn “Strange Beast” Is This?).
Sinlapawatthanatham 27, no. 9 (2006): 140–53.
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of
Nationalism. London: Verso, 1983.
—. “Radicalism after Communism in Thailand and Indonesia.” New Left Review
202 (November– December 1993): 3–14.
—. The Spectre of Comparisons: Nationalism, Southeast Asia, and the World.
London: Verso, 1998.
—. “The Strange Story of a Strange Beast: Receptions in Thailand of Api-
chatpong Weerasethakul’s Sat Pralaat.” In Apichatpong Weerasethakul, ed. James
Quandt, 158–77. Vienna: synema, 2009.
Anderson, Carolyn, and Thomas Benson. “Direct Cinema and the Myth of Informed
Consent: The Case of Titicut Follies.” In Image Ethics: The Moral Rights of Subjects in
Photo graphs, Film, and Tele vi sion, ed. Larry Gross, John Stuart Katz, and Jay Ruby,
58–90. New York: Oxford University Press, 1988.
Previous Page Next Page