BIBLIOGRAPHY
BOOKS BY THE ARTIST
Continuous Project Altered Daily: The Writings of Robert Morris. Cambridge, Mass.:
mit Press, 1993.
telegram / the rationed years. Geneva, Switzerland: jrp Editions, 1998.
Hurting Horses. Brussels, Belgium: mfc-m. Didier, 2005.
ESSAYS BY THE ARTIST (IN CHRONOLOGICAL ORDER)
“Notes on Dance.” Tulane Drama Review 10, no. 2 (Winter 1965): 179–86.
“Notes on Sculpture.” Artforum 4, no. 6 (February 1966): 42–44.
“Notes on Sculpture, Part 2.” Artforum 5, no. 2 (October 1966): 20–23.
“Form-Classes in the Work of Constantin Brancusi.” Unpublished master’s thesis,
Hunter College, New York, 1966.
“A Method for Sorting Cows.” Art and Literature (Lausanne) 2 (Winter 1967): 180–
81.
“Notes on Sculpture, Part 3.” Artforum 5, no. 10 (June 1967): 24–29.
“Anti Form.” Artforum 6, no. 8 (April 1968): 33–35.
“Notes on Sculpture, Part 4: Beyond Objects.” Artforum 7, no. 8 (April 1969): 50–54.
“Some Notes on the Phenomenology of Making: The Search for the Motivated.” Art-
forum 8, no. 8 (April 1970): 62–66.
“Observations on the Observatory.” In Sonsbeck 71, vol. 2. Edited by Geert van Ber-
jeren and Coosje Kapteyn. Arnhem, The Netherlands: Sonsbeek Foundation,
1971, 57–59.
“Aligned with Nazca.” Artforum 14, no. 2 (October 1975): 26–39.
“The Present Tense of Space.” Art in America 66, no. 1 (January–February 1978):
70–81.
“Mirror Works.” In Robert Morris: Mirror Works, 1961–78. Exhibition catalogue. New
York: Leo Castelli Gallery, 1979.
“Notes on Art as/and Land Reclamation.” October 12 (Spring 1980): 87–102.
“American Quartet.” Art in America 69, no. 10 (December 1981): 92–105.
“Three Folds in the Fabric and Four Autobiographical Asides as Allegories (or Inter-
ruptions).” Art in America 9 (November 1989): 142–51.
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