SELECTED BIBLIOGRAPHY
“The Alfred Hitchcock Dinner Hour.” Look, 27 August 1963, 42 44.
“Alfred Hitchcock Director, tv or Movies, Suspense Is Golden.” Newsweek, 11 June
1956, 105 108.
“Alfred Hitchcock England’s Best Director Starts Work in Hollywood.” Life, 19 June 1939,
66 70.
“Alfred: The Great Shocker.” tv Guide 9, no. 12 (25 March 1961): 17 18.
Allen, Richard. “Hitchcock, or the Pleasures of Metaskepticism.” October, no. 89 (sum-
mer 1999): 69 86.
——— . Hitchcock’s Romantic Irony. New York: Columbia University Press, 2007.
Alpert, Hollis. “Hitchcock as Humorist.” In The Dreams and the Dreamers, 168 177. New
York: Macmillan, 1962.
Anderson, Christopher. Hollywood tv: The Studio System in the Fifties. Austin: University of
Texas Press, 1994.
“Arrived.” Newsweek, 6 September 1937, 25.
Auiler, Dan. Vertigo: The Making of a Hitchcock Classic. [1998.] New York: St. Martin’s Grif-
fin, 2000.
Bakhtin, Mikhail. “Freudianism: A Critical Sketch.” In Katerina Clark and Michael
Holquist, eds., Mikhail Bakhtin, 134 135. Cambridge, MA: Belknap Press of Harvard
University Press, 1986.
——— . Rabelais and His World. Translated by Hélène Iswolsky. Bloomington: Indiana
University Press, 1984.
Barbas, Samantha. The First Lady of Hollywood: A Biography of Louella Parsons. Berkeley:
University of California Press, 2006.
Barr, Charles. English Hitchcock. Moffat: Cameron and Hollis, 1999.
Barrell, John. English Literature in History 1730 1780: An Equal, Wide Survey. New York: St.
Martin’s, 1983.
——— . The Infection of Thomas De Quincey: A Psychopathology of Imperialism. New Haven,
CT: Yale University Press, 1991.
Barthes, Roland. “From Work to Text.” Translated by Stephen Heath. In Philip Rice and
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