BiBliograPhy
Abrahams, Roger. The Man of Words in the West Indies: Performance and the Emergence of Creole
Culture. Baltimore: Johns Hopkins University Press, 1983.
Achenbach, Marina, and the Fasia- Jansen- Stiftung e.V., eds. Fasia: Geliebte Rebellin. Ober-
hausen: Asso- Verlag, 2004.
Ahmed, Sara, et al., eds. Uprootings/Regroundings: Questions of Home and Migration. Oxford:
Berg, 2003.
Ames, Eric, Marcia Klotz, and Lora Wildenthal, eds. Germany’s Colonial Pasts. Lincoln: Uni-
versity of Nebraska Press, 2005.
Baker, Houston A., Jr., Manthia Diawara, and Ruth H. Lindeborg, eds. Black British Cultural
Studies: A Reader. Chicago: University of Chicago Press, 1996.
Bal, Mieke, and Norman Bryson. “Semiotics and Art History.” Art Bulletin 73, no. 2 (1991),
174–298.
Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New
York: Hill and Wang, 1981.
Batchen, Geoffrey. Each Wild Idea: Writing, Photography, History. Cambridge: mIt Press, 2001.
———. “Vernacular Photographies.” History of Photography 24, no. 3 (2000), 262–72.
Bechhaus- Gerst, Marianne, and Reinhardt Klein- Arendt, eds. Die (Koloniale) Begegnung:
Afrikanerinnen in Deutschland und Schwarze Deutsche: Geschichte und Gegenwart. Frankfurt/
Main: Peter Lang, 2003.
Beller, Jonathan. “Camera Obscura After All: The Racist Writing with Light.” Paper pre-
sented at the “Seeing Race Symposium,” Columbia University, 30 October 2008.
Berger, John. “Understanding a Photograph.” In Classic Essays on Photography, ed. Alan
Trachtenberg, 291–94, New Haven, Conn.: Leete’s Island Books, 1980.
Previous Page Next Page