Abowd, Gregory D., Elizabeth D. Mynatt, and Tom Rodden. 2002. “The Human
Experience.” ieee Pervasive Computing (January– March): 48–57.
“A Brief History of the Music Department.” http://www.mills.edu/academics
Abrahamson, Eric, and David H. Freedman. 2006. A Perfect Mess: The Hidden
Beneﬁts of Disorder—How Crammed Closets, Cluttered Oﬃces, and On- the-Fly
Planning Make the World a Better Place. London: Weidenfeld and Nicolson.
Abrams, Muhal Richard, and John Shenoy Jackson. 1973. “Association for the
Advancement of Creative Musicians.” Black World (November): 72–74.
Adlington, Robert. 2008. “Organizing Labor: Composers, Performers, and ‘the
Renewal of Musical Practice’ in the Netherlands, 1969–72.” Musical Quarterly
90, nos. 3–4:539–77.
———, ed. 2009. Sound Commitments: Avant- garde Music and the Sixties.
Oxford: Oxford University Press.
———. 2013a. Composing Dissent: Avant- Garde Music in 1960s. Amsterdam:
Oxford University Press.
———, ed. 2013b. Red Strains: Music and Communism outside the Communist
Bloc. Oxford: Oxford University Press.
Adorno, Theodor. 2002a. Essays on Music. Edited by Richard Leppert. Translated
by Susan Gillespie. Berkeley: University of California Press.
———. 2002b. “On Popular Music.” Studies in Philosophy and Social Science
9 (1941): 17–48.
Ake, David. 2002. Jazz Cultures. Berkeley: University of California Press.
Alberro, Alexander, and Blake Stimson. 2009. Institutional Critique: An An-
thology of Artists’ Writings. Cambridge, MA: mit Press.
Altman, Rick. 1981. Genre: The Musical; A Reader. London: Routledge.
———. 1987. The American Film Musical. Bloomington: Indiana University
———. 1996. “Cinema and Genre.” In The Oxford History of World Cinema,
edited by Geoffrey Nowell- Smith, 276–85. Oxford: Oxford University Press.
Anderson, Benedict. 1983. Imagined Communities: Reflections on the Origin and
Spread of Nationalism. London: Verso.