Index
1,2,3 This Is Me (video), 210
8-track tape cartridges, 39, 40–41
Access: aesthetics of, 6, 15, 34, 62, 163,
223, 234; affect and, xvi, 6, 217, 223,
243; audience, 8, 13; bootleg chain-
letters and, 223; bootlegging and, 63,
102, 157–60; copyright laws and, 5,
16–20; cultural benefits and, 16, 17,
22, 24, 87, 268 n. 67; digital works
and, 105; entitlement, 10; eros of, 34;
expectations, 228–29; intellectual
property and, 104; medium, 8; as
preservation, 253 n. 6; private, 102;
production and, 94; public, xvii, 8,
17, 142–44, 155; screening bootlegs
and, 157–59; timeshifting and, 94–
95. See also Fair use; Users’ rights
Aesthetics: of access, 6, 15, 34, 62,
163, 223, 234; affect and, xvi, 6, 34,
223, 243; analog video and, 11–16;
audio, 39; bootleg, 104, 163, 176–78,
179–83, 233; bootleg chainletters
and, 223; of broadcast television, 122;
punk, 203; as relational, 13; of video,
xii, 4, 65; of videotape, 34
Affect: access and, xvi, 6, 217, 223, 243;
aesthetics and, xvi, 6, 34, 223, 243;
affect-nation, 283 n. 30; audience
and, 11, 164; bootleg chainletters
and, 201, 223; bootlegging and, 63,
114; materiality and, 183
Agnew, Spiro, 128–29, 132, 137
ahra (Audio Home Recording Act,
1992), 102
All I Can Be (video), 219–22
Altman, Rick, 180
American Television and Radio Archive
(Library of Congress), xvii, 88, 118,
140, 152
Ampex, 43–44, 122, 129; Quadruplex
video recorder, 43
Analog formats: aesthetics and, 11–16;
development of, 34–37; vs. digital,
11–12, 103; fair use and, 19, 77, 103;
as indexical, 104; magnetic tape, 5,
7; specificity, 93. See also specific
formats
Anderson, Benedict, 283 n. 30
Anderson, Pamela, 68–71, 70
A & M Records, Inc. v. Napster, Inc.,
98, 111
Anticopy technologies, 58–59, 105
Appropriation video, 192–93
Archives: amateur, 6, 12–13; by bootleg­
gers, 25; copyright infringement
and, xvii; news, 117, 121; physical vs.
electronic files and, 77
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