BIBLIOGRAPHY
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Abbas, Ackbar. ‘‘Cosmopolitan De-scriptions: Shanghai and Hong Kong.’’
Public Culture 12, no. 3 (summer 2000): 769–86.
Alter, Nora M. ‘‘Documentary as Simulacrum: Tokyo-Ga.’’ In The Cinema of
Wim Wenders: Image, Narrative, and the Postmodern Condition, edited by
Roger F. Cook and Gerd Gemünden. Detroit: Wayne State University
Press, 1997.
Arendt, Hannah. The Human Condition. Chicago: University of Chicago
Press, 1958.
Armstrong, Nancy, and Leonard Tennenhouse. The Imaginary Puritan: Lit-
erature, Intellectual Labor, and the Origins of Personal Life. Berkeley: Uni-
versity of California Press, 1992.
Bachmann, Gideon. ‘‘Antonioni after China: Art versus Science (Inter-
view with Michelangelo Antonioni).’’ Film Quarterly 28, no. 4 (summer
1975): 26–30.
Barthes, Roland. Camera Lucida. Translated by Richard Howard. New
York: Hill and Wang, 1981.
———. Empire of Signs. Translated by Richard Howard. New York: Hill and
Wang, 1982.
———. ‘‘From Work to Text.’’ In The Rustle of Language. Translated by Rich-
ard Howard. Berkeley: University of California Press, 1986.
Bascara, Victor. Model Minority Imperialism. Minneapolis: University of
Minnesota Press, 2006.
Bazin, André. ‘‘The Ontology of the Photographic Image.’’ In What Is Cin-
ema? vol. 1. Translated by Hugh Gray. Berkeley: University of California
Press, 1967.
Previous Page Next Page