Notes
Acknowledgments
1. Barolsky, Michelangelo and the Finger of God, xvi.
2. Carrier, The Aesthete in the City, 85, 88.
3. Lee, Past, Present, East and West, 67.
4. Carrier, Sean Scully, 80.
5. Danto, Connections to the World, 273.
6. ‘‘Wish You Were Here: The Art of Adventure,’’ Cleveland Institute of Art
October–December 2003.
Overture
1. Ovid, The Metamorphoses of Ovid, 138.
2. See Barkan, The Gods Made Flesh, 19.
3. Ibid., 17.
4. Feldherr, ‘‘Metamorphosis in the Metamorphoses,’’ 175.
5. Ovid, The Metamorphoses of Ovid, 43.
6. Ballard, The Crystal World, 78–79.
7. Warner, Fantastic Metamorphoses, 5.
8. Allen, ‘‘Ovid and Art,’’ 340.
9. Ransmawy, The Last World, 33.
10. Bynum, Metamorphosis and Identity, 30.
11. Wheeler, A Discourse of Wonders, 205.
12. Ovid, The Metamorphoses of Ovid, 87.
13. Ibid., 82–83.
14. Woolf, Orlando, 86–87.
15. Wollheim, The Thread of Life, 7, 10.
16. A good clear summary appears in Glover, The Philosophy and Psychology o
Personal Identity.
17. Ovid, The Metamorphoses of Ovid, 257.
18. Wollheim, Art and Its Objects, preface. This preface was suppressed afte
the original edition.
19. Danto, The Transfiguration of the Commonplace, 101, 125, 135. This way o
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