Bibliography
Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in Romantic Lit
erature. New York: W. W. Norton, 1971.
Abt, Jeffrey. ‘‘Museum, I, 7: Modern Reassessments of Function.’’ The Dictionar
of Art, ed. Jane Turner. London: Macmillan, 1996.
. A Museum on the Verge: A Socioeconomic History of the Detroit Institute o
Arts, 1882–2000. Detroit: Wayne State University Press, 2001.
Abu-Lughod, Janet. Before European Hegemony: The World System, A.D. 1250–1350
New York: Oxford University Press, 1989.
Acton, Harold. Memoirs of an Aesthete. London: Methuen, 1948.
Adams, Laurie Schneider. Art and Psychoanalysis. New York: Harper Collins, 1993
Adams, Robert. The Lost Museum: Glimpses of Vanished Originals. New York
Viking, 1980.
Addison, Julie de Wolf. The Boston Museum of Fine Arts. Boston: L. C. Page, 1910
Adorno,Theodor. Prisms, trans. Samuel and Shierry Weber. Cambridge: mit Press
1967.
Allen, Christopher. ‘‘Ovid and Art.’’ The Cambridge Companion to Ovid, ed. Philip
Hardie. Cambridge: Cambridge University Press, 2002.
Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth Century. Chi
cago: University of Chicago Press, 1983.
Al-Rasheed, Madawi. A History of Saudi Arabia. Cambridge: Cambridge Univer
sity Press, 2002.
Alsop, Joseph. The Rare Art Traditions: The History of Art Collecting and Its Linke
Phenomena. New York: Harper and Row, 1982.
Althusser, Louis. For Marx, trans. Ben Brewster. New York: Vintage, 1970.
Amery, Colin. The National Gallery Sainsburg Wing: A Celebration of Art and Ar
chitecture. London: National Gallery of Art, 1991.
Anderson, Jaynie. ‘‘Connoisseurship in Risorgimento Italy.’’ Collecting, Connois
seurship and the Art Market in Risorgimento Italy. Venice: Istituto Veneto d
Scienze, Lettere ed Arti, 1999.
. Giorgione: The Painter of ‘‘Poetic Brevity.’’ Paris: Flammarion, 1997.
Anderson, John. Art Held Hostage: The Battle over the Barnes Collection. New York
W. W. Norton, 2003.
Andrews, Lee. Story and Space in Renaissance Art: The Rebirth of Continuous Nar
rative. Cambridge: Cambridge University Press, 1995.
Previous Page Next Page