Index
Abakua society: of Cuba,
205-8
Abrahams, Roger,
181
Acevedo, Marta,
172-73
Affinity group,
69-70
Affinity politics:
inA Better Life, 63-64
AIDS
theatre,
49-66;A Better Life
of,
62-64;
in Latino communities,
53-55; Noche
de
ronda
of,
55-62;
in Puerto Rico,
54-55;
white gay males in,
50-51, 52-53
Alarcon, Norma,
91-92
Allen, Paula Gunn,
95-96
Alvarez, Francisco,
249-50
Amerique Larine, 9
Angels in America, 52
Anlu: ofKom,
196
Antigua: Coromantees of,
180
Anzaldua, Gloria,
6,36,81-82
~A
poco hay cimarrones?, 225-29, 247-48
Ardener, Shirley,
195-96
Argentina: cocoliche of,
258;
Dirty War of,
276-86;
drag culture of,
257-73;
female
images of,
282-83;
gendered labor of,
291;
heroic soldier male of,
281-82; im-
migration to,
258;
international capitalism
of,
285-86;
military display of,
278-81
Aria a tres: of
Ignore the Dents,
1 I
3
Aria col de capo: of
Ignore the Dents,
I
12-
I
3
Aria di sortita: of
Ignore the Dents, 114 .
"Arrieros somos": of
Border boda, 78
Artistic quality: evaluation of,
23
o
Asphalt Aria,
I 12-I
3
Audience: of casita,
130;
for Chicano the-
atre,
44-47;
for
Ignore the Dents,
I IO
August
29,
42
Avant-garde,
22
A View from the Bridge, 39-40
Bakhrin, Mikhail,
75, 203
Balong: female sexual defense of,
195
Baltimore Waltz, The, 52
Barragan, Felipe,
54
Barrio San Anton,
128
Barthes, Roland: on photography,
270, 273
Batey: of Rincon Criollo,
129
Before It Hits Home, 51
Benjamin, Walter: on photography,
268, 270
Berman, Sabina,
145-48
Better Life, A, 62-64
Bilinguality: of Chicano theatre,
40
Birds,40
Blaffer, Sarah,
225-27
Boal, Augusto, 3
I
7
Border artists,
22-23
Borderboda, 67-85;
critical reaction to,
80;
granddaughter /niece role of,
84-85;
per-
formance spaces of,
77-80;
song in,
81
Border culture,
9,18-19,68-70;
perfor-
mance of,
75-82
Border Wedding, 67-85
Boullosa, Carmen,
148-52
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