Bibliography
Alff, David M. “Yesterday’s Tomorrow Today: Baltimore and the Promise of
Reform.” In The Wire: Urban Decay and American Television, edited by
Tiffany Potter and C. W. Marshall, 23–36. New York: Continuum, 2009.
Alvarez, Rafael. The Wire: Truth Be Told. New York: Pocket Books, 2004.
Anderson, Elijah. Code of the Street: Decency, Violence, and the Moral Life of
the Inner City. New York: W. W. Norton, 2000.
Anderson, Paul Allen. “‘The Game Is the Game’: Tautology and Allegory in
The Wire.” Criticism 52, no. 3–4 (Summer/Fall 2010): 373–398.
Anker, Elisabeth. “Left Melodrama.” Contemporary Political Theory 11, no. 2
(May 2012): 130–152.
———. Orgies of Feeling: Melodramatic Politics and the Pursuit of Freedom.
Durham, NC: Duke University Press, 2014.
Aristotle. “Poetics.” In Aristotle: Poetics; Longinus: On the Sublime; Demetrius:
On Style. Edited and translated by Stephen Halliwell, 1–142. Cambridge,
MA: Harvard University Press, 1995.
Balukhatyi, Sergei. “Russian Formalist Theories of Melodrama.” Translated
by Daniel Gerould, In Imitations of Life: A Reader on Film and Television
Melodrama, edited by Marcia Landy, 118–134. Detroit: Wayne State Uni-
versity Press, 1991.
Bandes, Susan. “And All the Pieces Matter: Thoughts on The Wire and the
Criminal Justice System.” Ohio State Journal of Criminal Law 8, no. 2
(2011): 435–445.
Bazin, André. What Is Cinema? Vol. 1. Edited and translated by Hugh Gray.
Berkeley: University of California Press, 1967.
Beck, Eric. “Respecting the Middle: The Wire’s Omar Little as Neoliberal Sub-
jectivity.” rhizomes 19 (Summer 2009). www.rhizomes.net/issue19/beck
.html.
Bennett, Drake. “This Will Be on the Mid- Term. You Feel Me?” Slate, March
Previous Page Next Page