received her doctorate in English from Tufts University and is Di-
rector of Writing for The Charles Hamilton Houston Enrichment Program at New
England School of Law.
is Professor of English at Syracuse University, where he teaches
film, gender studies, and narrative theory. His most recent books are
(1997), which he coedited with Ina Rae Hark, and
Masked Men: Mascu-
linity and the
the Fifties (1997).
teaches film and popular culture at Lehigh University. He
Making Things Perfectly Queer: Interpreting Mass Culture
Culture: Lesbian, Gay and Queer Essays
published by Duke University Press, 1995). He is currently tackling some cherished
film warhorses in the forthcoming book
is Professor of English at Tufts University. He is the author of
Transmemberment of Song: Hart Crane's Anatomies of Rhetoric and Desire
Gay Literary and Cultural Theory
(1994). He is currently
completing work on two books:
Hollywood's Anal Compulsion
(which will include
the essay in this volume) and No
Future: Queer Theory and the Death
teaches film and English literature at the University of Calgary. An
essay on Derek Jarman's
The War Requiem
The Work of Opera,
Richard Dellamora and Daniel Fischlin.
is a doctoral candidate in the English department at Cornell
University. She is working on gender, sexuality, and settler identity in Australia
and New Zealand.
teaches in the English department at Cornell University. He is the
Decadence and Catholicism
(1997), and his book, Cruising
queer theory and film, is forthcoming from Duke University Press.
D. A. MILLER
teaches English and comparative literature at Columbia University.