index
Page numbers in italics refer to figures.
Abbott, Berenice, 134, 220n25
About Being My Model (Woodman photo-
graph), 175
Abu Ghraib Prison (Iraq), xiii–xix, 8, 61 76
adolescents, 19 20, 31, 55, 230n52
Adorno, Theodor, 44
advertising, 20, 24, 53, 56, 70, 130; see also
Benetton
Afternoon Tease, Tunbridge, Vermont
(Meiselas photograph), 97
aids, 137, 158 59, 162, 168
Akerman, Chantal, 24 25
albumen prints, 110, 225n18
Allen, James, 69, 215n10
Alma- Tadema, Lawrence, 34
Althusser, Louis, 23, 51, 190
American Civil Liberties Union (aclu), 8,
72, 218n37
American National Exhibition, 43
Americans, The (Frank), 23 24, 89
analogue photography, 4, 140, 150, 180,
209n6; relation to digital, 123 28, 142, 154,
195, 215n12; see also calotype, daguerreo-
type, and film (photographic)
Andrews, David, xiii
Andy Warhol Museum, 69
Animal Locomotion (Muybridge series), 40,
41, 212n27
Annan, Thomas, 81, 131
anthropology, xiii, 94, 131
antiwar cultural practices, 70 71, 132
Arbus, Diane, xvii, xx, 10 17, 50, 78, 139, 205
archives, 113, 131 32, 142 43; Abu Ghraib,
xix, 61, 63, 66, 69 76, 215n13, 216n15;
Maier, 145, 152, 154, 230nn6 7; Wood-
man, 172, 180, 234n2; see also Kinsey Insti-
tute and Magnum Photo Agency
Art in America, ix
art criticism, xvii, xxv, 3, 29, 178, 194, 198, 206
art history, ix–xiii, xvi, xxi, 4 6, 79, 142 43,
192, 98 199; conventions of, 134, 180, 182,
194, 232n2, 235n11; relation to art criti-
cism, 178
art market, xi, 106, 138
Atget, Eugène, xxiii, 81, 134, 142 43
authorship, 13, 46, 142, 166, 172, 194, 234n4
Badiou, Alain, 200
Ballad of Sexual Dependency, The (Goldin),
xvii, 14 15
Bannos, Pamela, 143 51
Barbizon; artists, 111 12, 115, 118, 121; village,
114
Barrie, Dennis, 159 60
Barthes, Roland: documentary photogra-
phy, 222n11; death and photography, 129;
Family of Man, 44 50, 59; impact of, xii,
4 5, 209n9; photographic rhetoric, 119,
124, 192; striptease, 103 4; von Gloeden,
31; see also Camera Lucida
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