INDEX
Note: Page numbers followed by f indicate a figure.
Abel, Elizabeth, 25n2
Abraham, Karl, 139–40
actualité films, 347–48, 361n13
Adams, Eddie, 309
Adamson, John, 51
Adamson, Robert, 19, 49–70, 71n11,
71n17; Benjamin’s views of, 58–70,
72n24; calotype process of, 51–53,
57–59, 71n12, 72n32, 74n56; critical
praise for, 56–59, 70n8, 72n29; early
calotypes of, 50–51, 56; Hill’s collabo-
ration with, 52; pictorialist aesthetics
of, 56–57
Adiantum pedatum (Blossfeldt), 6f
Adorno, Theodor, 26n4
African National Congress (anc), 325,
327
After the Freud Museum (Hiller), 152–53
Afterword show (Walker), 219n89
Agamben, Giorgio, 211n17, 283
Agassiz, Louis, 15–16, 199–206, 210,
217n66, 217n73–74, 218nn76–77,
218n80, 218–19nn83–84
Ahern, John, 348
Aichorn, August, 136
Alberro, Alexander, 165
Alexander, Richard, 55
“An die Nachgebornen” (Brecht), 321–22
Animal Locomotion, Plate 443 (Muy-
bridge), 7f
Annan, J. Craig, 56, 70n8
Annan, Thomas, 51f, 55–56
Anna O. See “Case of Anna O.”
anti-Semitism, 82–84, 87–88
apartheid (def.), 330. See also South Afri-
can violence
Apel, Dora, 334n5
Arbeiter-Illustrierte Zeitung (aiz), 33–37,
40
Arcades Project (Benjamin), 8–9, 28n28,
72n24
Arendt, Hannah, 334n7, 335n13
Arnheim, Rudolf, 341–42, 359–60
L’arrestation d’Éyraud engraving, 107f
The Artist and the Gravedigger, Grey-
friars Cemetery, Edinburgh (Hill and
Adamson), 64, 65f
Asher, Michael, 99
Atget, Eugene, 8
An Audience (Walker), 208
Auestad, Lene, 84
Azoulay, Ariella: on Agassiz’s photo-
graphs of slaves, 200–202, 204,
217nn73–74, 218nn76–77; on sover-
eignty in photography, 218n77, 237,
261n25, 263n46, 324
Bachelez, Nataša Petrešin, 99
Bacon, Francis, 226–27
Baer, Ulrich, 25n2, 62
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