References
Adams, Kathleen. 2006. Art as Politics: Re- Crafting Identities, Tourism, and Power
in Tana Toraja, Indonesia. Honolulu: University of Hawai’i Press.
Adorno, Theodor. 2001. The Culture Industry. New York: Routledge.
Ahmed, Sara. 2010. “Happy Objects.” In The Affect Theory Reader, ed. Melissa
Gregg and Gregory J. Seigworth, 29 51. Durham: Duke University Press.
Akiyama Leika. 2006. “Artist Statements.” In “Serious Fun: Whimsical Art by
Fine Artists.” www.artsomervile.org/nave/2006/serious.html. Accessed
October 3, 2012.
Alimrung, Gendy. 2010. “Hello Kitty Wine: Cat People and Alcoholics Rejoice!”
L.A. Weekly. www.blogs.laweekly.com/squidink/wine/will- you- see- hello
- kitty. Accessed September 21, 2010.
Allison, Anne. 1994. Nightwork: Sexuality, Pleasure, and Corporate Masculinity in
a Tokyo Hostess Club. Chicago: University of Chicago Press.
——— . 1996. Permitted and Prohibited Desires: Mothers, Comics, and Censorship
in Japan. Boulder: Westview Press.
——— . 2004. “Cuteness as Japan’s Millennial Product.” In Pikachu’s Global
Adventure: The Rise and Fall of Pokémon, ed. Joseph Tobin, 34 49. Durham:
Duke University Press.
——— . 2006. Millennial Monsters: Japanese Toys and the Global Imagination.
Berkeley: University of California Press.
——— . 2008. “The Attractions of the J- Wave for American Youth.” In Soft Power
Superpowers: Cultural and National Assets of Japan and the United States,
ed. Watanabe Yasushi and David L. McConnell, 99 110. Armonk, N.Y.: M. E.
Sharpe.
All Things Kawaii. N.d. www.allthingskawaii.net. Accessed June 15, 2010.
Angry Little Girls. N.d. www.angrylittlegirls.com. Accessed June 16, 2010.
Aoki Shōichi. 2001. FRUiTS. New York: Phaidon.
——— . 2005. Fresh FRUiTS. New York: Phaidon.
Previous Page Next Page