index
Adolph, Patsy, 119
Adorno, Theodor, 14, 213n5
aesthetic overproduction, Peruvian
punk and, 11–12
agency: body and, 94–103; texts and
images relating to, 170–87
Age of Extremes, The (Hobsbawm), 75
aliases, political use of, 125–26
Alonso, Maria “Conchita,” 216n1
Alternative Tentacles record label, 17
Althusser, Louis, 212n2
Amauta journal, 74–75, 205–13
American Popular Revolutionary Party
(apra), 120, 161–87
anarchist politics: punk aesthetic and,
143–50; sexuality and, 86–94; texts
and images relating to, 161–87
Anarkia (band), 8, 24
Andeanization: race and class and, 104–
11; spatial divisions in Lima and, 63–
72; subte resistance and, 23–35;
urban migration and, 2–5, 75–82
Andrade, Alberto, 64
Andrade, Raúl, 66–67
Ángeles, Álex, 32–34, 40–41, 125, 130–
34
anger, gender coding of, 87–94
Anglo popular music: Peruvian punk
and, 5, 7, 10, 17–23; as political
protest, 114
Anti (band), 66
anti-tuco punk, 59–63, 66–72
Arce Borja, Luis, 216n4
Argentine punk, influence of, 21–23
Arguedas, José María, 73, 104, 109–11,
126
Arrasco Catpo, Javier, 127
Artaud, Antonin, 109
art criticism, punk culture and, 40–41
artistic creativity: nostalgic reproduc-
tion and death of, 138–50; as provo-
cation, 122–37; underproduction
during “long decade,” 113–22
Asco (Yuck) fanzine, 66–67
Ataque Frontal (band), 68, 146–47,
218n5
authenticity, in punk culture, 37–44
Autopsia (band), 8, 19, 24, 55, 117, 141,
154, 169
“Ayacucho: Center of Oppression”
(kaos), 31–35
“Ayacucho—Death’s Corner” (band),
114–15
Bakhtin, Mikhail, 3, 13; imaginary dia-
logue with Mariátegui, 189–203
Balaguer, Alejandro, 95–97
Bellido, Juan Gabriel “El Gordo,” 53, 55,
65, 142–43
Bandera Negra (Black Flag) gang,
65–66, 70, 215n6
banners, as political protest, 114–22
Barbie, Klaus, 22
Barrantes Lingán, Alfonso, 120
Bassallo, Támira (performer), 83, 102,
108–11, 121
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