■■
Illustrations
1 Still from Letters from Home (Mike Hoolboom, 1996) 28
2 Frame capture from Overdue Conversation (Charles Lum, 2004) 36
3–6 Frame captures from Bright Eyes (Stuart Marshall, 1984) 45, 47
7–9 Frame captures from No Regret (Non, Je ne regrette rien) (Marlon T.
Riggs, 1992) 53, 58
10–11 William Yang, “Allan,” from the monologue Sadness (1992) 64, 65
12 William Yang, “Mother’s signature,” from the monologue Sadness
(1992) 69
13–14 Frame capture from Sando to Samantha, aka, The Art of Dikvel
(Jack Lewis and Thulanie Phungula, 1998) 71, 73
15 Still from Smalltown Boys (Matt Wolf, 2003) 75
16 Frame capture from Voices from the Front (Testing the Limits,
1991) 78
17 Photocopied flyer for Rockville Is Burning (Bob Huff and Wave 3,
1989) 79
18–19 Frame capture from Voices from the Front (Testing the Limits,
1991) 89, 92
20–23 Frame captures from Stop the Church (Robert Hilferty, 1990) 95, 97
24–26 Frame captures from Voices from the Front (Testing the Limits,
1991) 100, 102, 103
27 Frame capture from Pills, Profits, Protest: Chronicle of the Global
AIDS
Movement (Anne-Christine d’Adesky, Shanti Avirgan, and Ann T.
Rossetti, 2005) 106
28 Frame capture from Fight Back, Fight
AIDS:
Fifteen Years of
ACT UP
(James Wentzy, 2002) 111
29–33 Frame captures from Silverlake Life: The View from Here (Tom Joslin
and Peter Friedman, 1993) 122, 124, 126
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