further reading
c
All Is True (Henry VIII)
Frye, Susan. ‘‘Queens and the Structure of History in Henry VIII.’’ In A Companion to
Shakespeare’s Works, edited by Richard Dutton and Jean Elizabeth Howard, 427–
44. Malden, Mass.: Blackwell, 2003.
Goldberg, Jonathan. ‘‘The Making of Courtly Makers.’’ In Sodometries: Renaissance
Texts, Modern Sexualities, 29–62. Stanford: Stanford University Press, 1992.
McMullan, Gordon. ‘‘‘Thou Hast Made Me Now a Man’: Reforming Man(ner)liness
in Henry VIII.’’ In Shakespeare’s Late Plays, edited by Jennifer Richards and James
Knowles, 40–56. Edinburgh: Edinburgh University Press, 1999.
Menon, Madhavi. ‘‘After Words: Henry VIII and the Ends of History.’’ In Wanton
Words: Rhetoric and Sexuality in Renaissance Drama, 157–71. Toronto: University
of Toronto Press, 2004.
Phillippy, Patricia. ‘‘The Body of History: Embalming and History in Shakespeare’s
Henry VIII.’’ In Women, Death, and Literature in Post-Reformation England, 54–80.
Cambridge: Cambridge University Press, 2002.
All’s Well That Ends Well
Adelman, Janet. ‘‘Bed Tricks: On Marriage as the End of Comedy in All’s Well That
Ends Well and Measure for Measure.’’ In Shakespeare’s Personality, edited by Nor-
man N. Holland, Sidney Homan, and Bernard J. Paris, 151–74. Berkeley: Univer-
sity of California Press, 1989.
Berkeley, David S., and Donald Keesee. ‘‘Bertram’s Blood Consciousness in All’s Well
That Ends Well.’’ Studies in English Literature 1500–1900 31 (1991): 247–58.
Engle, Lars. ‘‘Shakespearean Normativity in All’s Well That Ends Well.’’ Shakespeare
Studies 4 (2004): 264–78.
Harmon, A. G. ‘‘‘Lawful Deeds’: The Entitlements of Marriage in Shakespeare’s
All’s Well That Ends Well.’’ Logos 4, no. 3 (Summer 2001): 115–42.
Harris, Jonathan Gil. ‘‘All Swell That End Swell: Dropsy, Phantom Pregnancy, and
the Sound of Deconception in All’s Well That Ends Well.’’ Renaissance Drama 35
(2006): 169–90.
Menon, Madhavi. ‘‘First Night: Metalepsis, Romeo and Juliet, All’s Well That Ends
Well.’’ In Wanton Words: Rhetoric and Sexuality in English Renaissance Drama, 68–
93. Toronto: University of Toronto Press, 2004.
Previous Page Next Page