bibliogrAPhy
Adie, Kate. Corsets to Camouflage: Women and War. London: Hodder and
Stoughton, 2003.
Altman, Rick. Genre: The Musical. London: Routledge and Kegan Paul, 1981.
Ashley, Robert. Review of G.I. Jane. Sight and Sound, November 1997.
Auster, Albert. “Saving Private Ryan and American Triumphalism.” The War Film,
ed. Robert Eberwein. New Brunswick, N.J.: Rutgers University Press, 2004.
Barkalow, Carol, with Andrea Rabb. In the Men’s House: An Inside Account of
Life in the Army by One of West Point’s First Female Graduates. New York:
Poseidon, 1990.
Basinger, Jeanine. A Woman’s View: How Hollywood Spoke to Women, 1930–1960.
Hanover, N.H.: Wesleyan University Press, 1993.
———. The World War II Combat Film: Anatomy of a Genre. New York:
Columbia University Press, 1986.
Bell- Metereau, Rebecca. Hollywood Androgyny. New York: Columbia University
Press, 1985.
Beltrán, Mary. “Más Macha: The New Latina Action Hero.” Action and Adventure
Cinema, ed. Yvonne Tasker. London: Routledge, 2004.
Benedict, Helen. “The Private War of Women Soldiers.” Salon.com, 7 March
2007.
Bogle, Donald. Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretive
History of Blacks in American Films. New York: Continuum, 1991.
Bragg, Rick. I Am a Soldier Too: The Jessica Lynch Story. New York: Alfred A.
Knopf, 2003.
Burke, Carol. Camp All- American, Hanoi Jane, and the High- and- Tight: Gender,
Folklore and Changing Military Culture. Boston: Beacon, 2004.
Butler, Ivan. The War Film. London: Tantivy, 1974.
Cadogan, Mary, and Patricia Craig. You’re a Brick, Angela! A New Look at Girls
Fiction from 1839 to 1975. London: Victor Gollancz, 1976.
Previous Page Next Page