Adorno, Theodor. Introduction to the Sociology of Music. Translated by E. B. Ash-
ton. New York: Seabury, 1976.
———. “On the Fetish-Character in Music and the Regression of Listening.” In
The Essential Frankfurt School Reader, ed. Andrew Arato and Eike Gebhardt.
New York: Continuum, 1982.
———. “The Curves of the Needle.” Translated by Thomas Y. Levin. October,
no. 55 (winter 1990): 49–56.
———. “The Form of the Phonograph Record.” Translated by Thomas Y. Le-
vin. October, no. 55 (winter 1990): 57–62.
Aeschylus. The Agamemnon. Translated by Louis MacNeice. London: Faber and
Faber, 1936.
Aitken, Hugh G. J. Syntony and Spark: The Origins of Radio. New York: Wiley,
———. The Continuous Wave: Technology and American Radio, 1900–1932.
Princeton, N.J.: Princeton University Press, 1985.
Altman, Rick. “The Evolution of Sound Technology.” In Film Sound: Theory and
Practice, ed. Elisabeth Weis and John Belton. New York: Columbia Univer-
sity Press, 1985.
———, ed. Sound Theory, Sound Practice. New York: Routledge, 1992.
Anderson, Perry. Origins of Postmodernity. New York: Verso, 1988.
Aristotle. Nicomachean Ethics. Translated by Martin Ostwald. New York: Bobbs-
Merrill, 1962.
Previous Page Next Page