Abe Hirozumi, 20–21n2, 50n6
action (kōiteki), 86, 150
actuality of daily life, 85, 86, 95, 97
Adorno, Theodor, viii, x, 80, 83, 443
aestheticentrism, 322, 335, 342, 343
“Against the Nazi Control of the Arts”
(Tosaka), 3
Agrarian Literature Harmonious Discus-
sion Society, 75
Ahen sensō (film), 198
Akita breed, 155, 165, 166, 178
Akuma no deshi (Hamao). See Devil’s Dis-
ciple, The (Hamao)
The Alpine Lancers (film), 221, 224–25,
233n36
amae, 384–85
Amakasu Masahiko, 212
Anderson, Benedict, 185, 192, 194, 442
Anti-Comintern Pact in 1936, 31, 224,
231
antifascist arguments, 16–18, 27–28n49
anti-Semitic rhetoric, 215, 223, 224
anxiety ( fuan), 6, 9–10, 11, 13, 25n29,
32, 162, 206
Aono Suekichi, 4, 25, 65, 66, 71, 74
aporias of representation, 18, 81, 85–86,
90, 105, 107, 109n1, 382
apostasy writers, 33, 52n26, 196, 205–6,
211n65, 416
Araki Sadao, 178–79
architectural style: factory girl project
dormitory, 120–21, 131, 137n60; ide-
ology, and symbolic value of, 15, 19,
27n46, 237, 250n8, 251n12, 264, 270–
71, 274n25; Japaneseness in, 269,
283–84, 292–93n23; modernity, and
types of, 242–43; national unity rep-
resentation in, 267–69, 270, 275n38;
plans for Manchurian capital, 27n46;
political culture, and relation to, 237–
38, 250n9, 270–71. See also chūreitō
memorial construction; Imperial Diet
Building
Arendt, Hannah, 17–18
Arishima Takeo, 67
arrests, mass, 72–73
Arupus no Sokitai (film), 221, 224–25,
233n36
Asahi Corporation, 240, 419
Asahi Cultural Prize, 419
Asahi Shimbun (publication), 239, 240–
41, 245, 252n40, 267, 269, 419, 429n7
Asia-Pacific War, 249n2, 297, 309
Atarashiki tsuchi (film), 214, 225–29,
231n5, 234, 234nn50,53, 435–36, 446
Axis film culture: allies in, 213, 222,
233n37; anti-Semitic rhetoric in,
215, 224; anti-Western films in, 222,
223–24; censorship in, 216–18; China
in, 228, 233n35, 234n49; colonial
identity of, 214, 220, 221, 233n33; co-
productions, and ideological limits
inDex
Page references in italics refer to illustrations
Previous Page Next Page