Index
Abbas, Ackbar, 246, 265–66, 273, 275.
See also Déjà disparu; Reverse
hallucination
Ah, Nian, 6, 62, 65
Alienation, 49, 51, 61–62, 67, 108, 121,
141, 148, 173, 200, 205, 226–27, 248,
320, 367, 375, 377
Allegory, 61–62, 253, 299, 327–28,
365, 372, 379; of the Fifth Genera-
tion, 23, 53, 103. 120, 123, 242, 323,
345
Amateur cinema (yeyu dianying), 15,
17, 19–20, 28, 32, 42 n.21
Amnesia, 21, 166, 266, 268, 274. See also
Forgetting
Amos, Tori, 201
An, Zhanjun, 173
Anderson, Marston, 85
Ang, Ien, 270
Anhui province, 121
Anticipation, 97–9, 101. See also
Disappointment
Antoni, Janine, 148
Anxiety, 2, 34, 52, 54, 66, 76 n.18, 138,
141, 182, 232, 242, 246, 312, 324, 347,
350, 368
Anyang, 86
Any-space-whatever, 124
Appadurai, Arjun, 32, 182–83
Architecture, 24, 36, 100–101, 140, 149–
50, 169, 173, 181, 207–8, 217, 219, 246,
266, 269, 271–72, 281–83, 326
Arrangement, The, 286
Art cinema: as international, 7, 9, 34,
82–83, 89, 97, 102, 106, 124, 232, 344–
46, 350–1, 379–80; as Chinese, 27,
37, 39, 49–50, 53, 68, 71, 73, 81, 102–3,
106, 108, 123, 147, 161, 218–19, 230,
344, 346–47, 344–5, 347–50, 355, 370,
378. See also Film festival
At Home in the World, 120
Audience: as domestic, 11–2, 23–26, 32,
60, 67, 69, 71, 81, 83–84, 88, 97, 99,
106, 108, 134 n.20, 140–42, 161, 182,
194, 222, 243, 245, 247, 249, 260–61,
264, 270, 324, 329, 336, 345–47, 350,
367, 370; as international, 71, 81, 107–
8, 141, 144, 146, 265, 368
Authenticity, 183, 224, 353; and expres-
sion, 20, 61–63, 66, 74
Autobiographical narration, 141, 223,
380
Avant-garde: art, 21, 28, 35, 49–50, 84,
138, 140, 148–59, 164; film, 9, 15, 29,
36, 39, 53, 70, 74, 133 n.10, 187, 212,
218, 230, 350, 370
Back to Back, Face to Face, 163, 218
Back to Phoenix Bridge, 6
Bakhtin, Mikhail, 328
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