I N D E X
Abelmann, Nancy, 209n43
afectation: afective tourism and, 72–83;
ephemerality of, 83
afective expression: in “making-of” docu-
mentaries, 103–8; in One Fine Spring Day,
70–72; in The Shower (Sonagi) (film),
112–17; in Taegukgi, 177–79
afective palimpsests, 116–17, 123–27, 202
afective sites: in Hur’s films, 72–83, 201;
Rutherford’s concept of, 72–73
afective tourism: afectation and, 72–83; in
April Snow, 61–64; at Busan Exhibition
and Convention Center exhibit, 192–96;
emotion in Korean culture and, 64–72;
sonagi trope and, 115–17; at Taegwallyŏng
Samyang Ranch, 188–92
Agamben, Giorgio, 8
Ahmed, Sara, 19–20
Ahn, Byung- ook, 161–63
Ahn Sung-ki, 90–91, 103–8
All About Women (Nǚrén huài, Tsui Hark,
2008), 219n7
Anarchists (Anak’isŭtŭ, Yu Yŏng- sik, 2000),
91, 98, 217n31
An Jung- geun, 158, 224n24
anthropology, Korean film analy sis and,
23–27
anti- Americanism, South Korean cinema
and, 153–54, 223n8
Apocalypse of Love (Sarangŭi muksirok, Kim
Su- yong, 1995), 210n3
Appadurai, Arjun, 12–15, 99
Appiah, Kwame Anthony, 35
Applause Pictures, 21
April Snow (Oech’ul, Hur Jin-ho, 2005), 12,
23, 25–27, 57–58, 60–64; afective sites in,
73–83, 201; as body genre film, 65–72; con-
cert scene in, 84–85; intimacy in, 83–85;
real locations used in, 72–83
Asako in Ruby Shoes (Sunaebo, E J- yong,
2000), 31–58; false endings in, 53–55;
funding for, 210n3; geography in, 60;
pornography in, 44–47; reconciliation
and cultural exchange in, 34–37, 63, 83–85,
201, 211n13; staged authenticity in, 41–42;
surveillance and spectacle in, 48–53; tour-
ist imagination in, 55–58
Asian financial crisis (1997): Japanese-
Korean collaboration and, 34–37; Korean
popu lar culture and, 208n26; transna-
tional film collaboration and, 21–23,
205n1
Asian Games of 1986 (Seoul, Korea), 95
Asianization: afective palimpsests and,
116–17; dmz in South Korean cinema and,
144–48; Japanese- Korean collaboration
and, 34–37, 147–48; Korean blockbuster
genre and, 153–57; sonagi trope and,
136–40; travel thematic and, 7–8
Asuka period (Japan), 15
atemporal logic, sonagi trope and, 124–27
Atlas of Emotion (Bruno), 23–24
authenticity: false memorials in Taegukgi
film location sites and, 168–70; film tour-
ism and, 80–83
Autumn in My Heart (Kaŭl tonghwa, Yun
Sŏk-ho, 2000) (tele vision drama), 191
Bae Yong- joon, 12, 62, 64, 85, 203–4, 208n33;
on hallyu and nationalism, 64–72
Baekje period, Japanese- Korean cultural
exchange during, 15
Balázs, Béla, 120, 122
Barthes, Roland, 104, 137–38
A Battle of Wits (Mò Gōng Jacob Cheung,
2006), 99
Battle of Dumillyong, excavation at, 175–76,
179, 181, 185
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