I N D E X
Agamben, Giorgio, 17, 44, 165–167
Another Case History (artwork), 100
Antonioni, Michelangelo, 16–17, 120,
128–134, 147
Apple Computer, 14, 24–25
Arendt, Hannah, 1–3, 6, 11, 74
Aristotle, 166
Austin, J. L., 171
Balász, Béla, 51–52
Barbarella (film), 158
Barthes, Roland, 74, 97, 101
Batchelder, Ann, 140
de Bastide, Jean-François, 105,
108–111
Baudelaire, Eric, 16, 128–134
Baudrillard, Jean, 11, 13, 82
Bazin, André, 74
The Beaches of Agnès (film), 15, 88–99
Benjamin, Walter, 42, 71–73, 152–154
Bergman, Ingmar, 16, 81, 135–143,
145–148
Bergson, Henri, 10–11, 14–17, 36–37,
62, 88, 148, 150; on the cinemato-
graph, 14, 47–54, 59, 65–66, 144;
on déja-vu, 122–123; on duration,
49, 51–52, 66, 68–70, 71–73, 143–
145, 166; on intuition and intel-
lection, 38–42; on the possible,
161–165; on the virtual, 67–70,
102, 104–105, 125–127, 166
Bersani, Leo, 44
Bletchley Park, 13, 18, 20, 26, 34
Blow Up (film), 130, 148
Bogost, Ian, 43
Brand, Stewart, 3–5, 178
Brecht, Bertolt, 171–172
The Bridge (artwork), 100
Bryson, Norman, 119–120
Burgin, Victor, 15–16, 100–111,
113–122
Caillois, Roger, 173–174
Callenbach, Ernst, 78
Cartesianism, 7–8, 10, 13, 22, 70, 72,
74, 76–77, 152
Çelebi, Evliya, 115–116, 120
Cézanne, Paul, 89
Chion, Michel, 157
Chung Kuo: Cina (film), 130
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