Ahn, Ji- hye. “The Status and Future of Female Directors in the Korean Film Industry.”
In International Women’s Film Festival in Seoul, The Global Cartographies of Cine-
Feminisms, conference proceedings, April 14, 2008, Seoul, South Korea, 101–114.
Altman, Dennis. “Global Gaze / Global Gays.” glq 3.4 (1997): 417–436.
Alvaray, Luisela. “The National, Regional, and Global: New Waves of Latin American
Cinema.” Cinema Journal 47.3 (spring 2008): 48–65.
Amireh, Amal, and Lisa Suhair Majaj, eds. Going Global: The Transnational Reception of
Third World Women Writers. New York: Garland, 2000.
Andrew, Dudley. “An Atlas of World Cinema.” In Remapping World Cinema, edited by
Stephanie Dennison and Song Hwee Lim, 19–29. London: Wallflower, 2006.
Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” In
Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of
Minnesota Press, 1996.
Armatage, Kay. “Toronto Women and Film International 1973.” In Film Festival Yearbook
1: The Festival Circuit, edited by Dina Iordanova with Ragan Rhyne. St. Andrews: St.
Andrews Film Studies, 2009.
Art House Convergence, Bryn Mawr Film Institute and Avenue isr. “Art House Con-
vergence National Audience Study 2013.” January 15, 2014.
Austin- Smith, Brenda, and George Melnyk, eds. The Gendered Screen: Canadian Women
Filmmakers. Waterloo, ON: Wilfrid Laurier University Press, 2010.
Barrow, Sarah. “Images of Peru: A National Cinema in Crisis.” In Latin American
Cinema: Essays on Modernity, Gender and National Identity, edited by Lisa Shaw and
Stephanie Dennison, 39–58. Jefferson, NC: McFarland, 2005.
Berry, Chris. “Asian Values, Family Values.” Journal of Homosexuality 40.3 (2001):
Berry, Chris. “Wedding Banquet: A Family (Melodrama) Affair.” In Chinese Films in
Focus: 25 New Takes, edited by Chris Berry, 183–190. London: bfi, 2003.
Berry, Chris, Fran Martin, and Audrey Yue, eds. Mobile Cultures: New Media in Queer
Asia. Durham, NC: Duke University Press, 2003.
Previous Page Next Page