Contributors
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PAUL ARTHUR
is a professor of film and literature at Montclair State University.
He is a regular contributor to Film Comment and Cineaste magazines and
coedits Millennium Film Journal. His collection of essays, A Line of Sight:
American Avant-Garde Film, 1965 to the Present, was published in 2005.
ROBIN BLAETZ
is an associate professor and chair of the film studies program at
Mount Holyoke College. She is the author of Visions of the Maid: Joan of Arc in
American Film and Culture and is working on a book titled Home Movies.
NOËL CARROLL
is the Andrew W. Mellon Term Professor in the Humanities in
the department of philosophy at Temple University. He is the author of fifteen
books and over one hundred essays in aesthetics and film criticism. He is
currently working on a project about jokes and humor.
JANET CUTLER
is a professor of English and director of the film studies pro-
gram at Montclair State University. She is coeditor of and contributor to Strug-
gles for Representation: African-American Documentary Film and Video.
MARY ANN DOANE
is the George Hazard Crooker Professor of Modern Culture
and Media and English at Brown University. She is the author of The Desire to
Desire: The Woman’s Film of the 1940s and Femmes Fatales: Feminism, Film
Theory, Psychoanalysis. She is completing a book on technologies of represen-
tation and temporality in the early twentieth century.
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