Index
b
A and B in Ontario (Wieland), 49, 52
Acconci, Vito, 133
Ackerman, Chantal, 6, 279
Adynata (Thornton), 7, 242–243, 248–
252; found footage in, 259; oriental-
ism in, 248–252; Shoot the Piano
Player and, 251; soundtrack of, 249
Aging, 71, 172
Ahwesh, Peggy, 7, 9, 39, 290; artistic
interests of, 292; The Color of Love,
292–293, 301–304; The Deadman,
290; female body in work of, 12; film-
ography of, 309; found footage in
work of, 14; MacDonald and, 295;
Martina’s Playhouse, 291–301;
Meshes of an Afternoon and, 307–
309; ‘‘phallic imperialism’’ and, 291;
sexuality in work of, 298, 302–304;
She Puppet, 292–293, 305–309;
Super 8 work of, 293
aids, 167–168, 172
Albee, Edward, 37
Allegories of Cinema (James), 114, 138,
190
All in the Small (Friedrich), 332–333
Amnesis time, 216–217, 227
Ancient Parts (Keller), 221, 224
Andy Warhol (Menken), 35–37
Andy Warhol Up-Tight series, 143
Angel Blue Sweet Wings (Strand), 194
Anger, Kenneth, 59, 130
Animation: Menken’s work in, 27–29,
33, 37–39
Anker, Steve, 67, 72, 79, 81
Another Worldy (Thornton), 257–258
Anselmo (Strand), 193–194, 196–198
Answering Furrow, The (Keller), 221
Anthology Film Archives, 214
Antigone/Rites of Passion (Greenfield),
161–162
Arledge, Sara Kathryn, 6, 169
Arnold, Martin, 264
Aronowitz, Brett, 145
Artaud, Antonin, 106
Previous Page Next Page